Teaser


Yep...we're on a roll. All this will be announced soon on this blog, and via newsletter. Hold your breaths!

Gali Tibbon: Jerusalem

Photo © Gali Tibbon-All Rights Reserved
I like Gali Tibbon's work a lot, and her focus on faith-related reportage resonates with me. I found her interview (below) to showcase her images much better than on her website. She's an independent photographer based in Jerusalem, with over a decade of experience in photojournalism in the Middle East. Her work has taken her on assignments in Turkey, Cuba, Egypt, Jordan, Ethiopia, China, Spain and Ukraine.

Her work documents religion, focusing on faith through pilgrimage and rituals, and documenting the various Christian denominations in Jerusalem's Holy Sepulcher, baptism in the Jordan River, the ancient Samaritans, Ethiopian Christianity and pilgrimages across Europe.

It's with pleasure that I watched this interview with Gali on the Canon Professional Network during which she discusses her work.


A must-see!!

Paul Patrick: African Witches

Photo © Paul Patrick-All Rights Reserved
People in eastern, southern, and western Africa generally believe in witches, both male and female, and Paul Patrick, a Norwegian photojournalist, was able to document them in Ghana. He started traveling at the age of 16 in search of stories from Europe, India, Nepal, China, Ghana, Burkina Faso and Morocco.

Frenzy and hysteria about witches still grip the African mind, and witchcraft evokes fear, hatred and suspicion among Africans. Africans believe that any misfortune, whether accidents, deaths, diseases, infertility or child-birth difficulties, business failures to the male and female witches. Those accused of witchcraft are expelled from their homes, and forced to survive in the streets, in the bush, or in makeshift camps...and even killed.

You'll find the captions under each of Patrick's photographs in his gallery Witch Village are descriptive and informative...and provide background on the circumstances that caused for these women to be considered witches.

Charles Pertwee: The Khumbu

Photo © Charles Pertwee-All Rights Reserved
Charles Pertwee is a photojournalist, known for his reportage in crisis stricken locations such as Banda Aceh and Afghanistan. He graduated from the School of Oriental and African Studies in London with a degree in the History of East Asia, and took up photography soon after graduation. He has since worked for such diverse clients as The New York Times, Wired, CNN Traveller, Marie Claire, Universal Music and Nike. He's currently based in Nantes, France after living in Singapore. 

His galleries are all worthy of praise, but the two that appealed to me the most are of his work of The Khumbu (in black & white) and of Myanmar (Burma).

The Khumbu is located in northeastern Nepal, and the famous Tengboche Buddhist monastery is there. Tengboche is the largest gompa of the region.

Dennis Cordell: Buddhist Monks

Photo © Dennis Cordell-All Rights Reserved
383...that's the number of square format black & white portraits of Buddhist monks (and a few sadhus) that Dennis Cordell is exhibiting on his website; all made with a film Hasselblad which he prefers to the 35mm format. These are not photographs made because the subjects are handsome or beautiful...they're are ethnographic in nature. I believe he uses and pushes Tri-X film, then scans the negatives and prints digitally. I've featured Dennis' portraits of Buddhist novices at the Gyudzin Tantric Monastery School in Ladakh before. These were published on Flickr, but he has now acquired a standalone website.

I'm not certain where all these impressive portraits were made, but I did notice that some had background information that indicated Bodh Gaya. A religious site and place of pilgrimage in the Indian state of Bihar, Bodh Gaya is famous for being the place of the Buddha's attainment of enlightenment. It is one of the most important of the main four pilgrimage sites related to the life of the Buddha. The other three are Kushinagar, Sarnath (both in India) and Lumbini (Nepal).

Dennis trained as a painter, and his favorite subject matter, either in painting or in photography, has always been portraiture...especially of Buddhist monks and similar. He prefers black & white because, in his own voice: "The greater the range of tonality between black and white, the greater, for me, is the image. A photo can never have too many shades of grey. Greys are the midtones that create the designs and textures woven into the photo."

I agree. This is the case, perhaps not always...but often. As I mentioned in an earlier post about my own photographs of Bali, I got too much color while there...and I found black & white more calming...more soothing and more, in a strange way, realistic.

VII: Franco Pagetti: Afghanistan's Agony


The exciting VII The Magazine features Afghanistan' Agony, the multimedia work of Franco Pagetti which combines movies, stills in both color and black & white.

Although I'm getting tired of war stories and its imagery, Pagetti manages to infuse this work with his own personality as when he says (I paraphrase) in his Italian accent"...the only thing a photographer really wants...more than life, more than sex...more than anything...is to be invisible." Brilliant!

This multimedia piece provides a very realistic of what Afghanistan must be...it merges color stills with black & white images (which, in my view, are the best of the lot), aerial shots and movie footage.

Overall a very well done production, but if I had to point out a niggling issue, I'd say the decision to include the audio introduction of a muezzin's call to prayers is a lazy one. The Taliban, the insurgents, and the rest of the "bad guys" are fighting us because of a bunch of reasons. Take your pick: because we're occupying their country, because we're defending an unrepresentative corrupt regime, because we're getting in the way of various longstanding tribal and/or ethnic power struggles, and because we're tying to eradicate poppy cultivation...subsistence to many Afghan farmers.

It would have been smarter to find another audio clip to give the project the required sense of the place...perhaps a Pashto song, perhaps some ambient audio of Kabul's market chatter. Some readers might see this as nit-picking, but it's not. Avoiding religious cliches is a much more intelligent production effort and in this case, keeps it honest and neutral as it should be.

Franco Pagetti has covered the conflict in Iraq since January 2003. He has been a news photographer since 1994, and most of his recent work has involved conflict situations. His non-conflict news photography has included assignments in India, the Vatican City, Cambodia, Laos, Indonesia, Saudi Arabia and his native Italy. In his “former life,” he was a fashion photographer for Italian VOGUE and taught chemistry at Milano’s University .

NPR: Cairo And The "Disconnected"



This touches on photography/multimedia only tangentially, so unless you're into Middle Eastern-international politics, you may want to skip all the stuff below and just click on the movie.

A number of media outlets are gingerly covering Egypt's political scene due to the imminent parliamentary elections. I say gingerly because Egypt is a so-called major ally in the "war against terror" or whatever it's called these days, so it wouldn't be politic or in our national "interests" to criticize its ossified and corrupt regime. Why the United States aligns itself with despots in the Middle East and elsewhere will always be an anachronism.

NPR has featured a number of short articles and some multimedia for the occasion, and I found this one titled In Cairo Slum, Little Hope For Change to be an exemplar of what the current situation is in Egypt. I say "current" but that's not really correct. It's always been that way, and it'll continue to be that way, perhaps get even wider...a profound disconnect and an immense gap between the poor and the elite. Trust me...I know that for a fact.

An Egyptian investment banker (I'm not sure how he can be one with such an atrocious spoken English) complains that his children are disconnected from the rest of Egypt because they go to American schools, wear Western clothes and barely speak Egyptian Arabic. Well, I've got news for him....the "disconnect" has been prevalent since the Pharaohs.

Every dog has his day as the saying goes...so going back in modern history, it was the Ottomanophiles, then Anglophiles and the Francophiles who were the elite class, and disconnected from the people. Identical to the Tsarist elite in Russian who would only speak in French, the Egyptian elite would live in bubbles of their own making, separated from the "non-elite" and the rest of their compatriots. To a lesser extent, the time for the socialist Nasserites and Sadatites came and went. Now, it's the turn of the Mubarakphiles...the business cronies, the oligarchs, and the corrupt corporate/political alliances who form the recent elite....but these will also vanish when their time comes, only to be replaced by a hungrier demographic. We've been there before, and it's only a matter of time before the cycle repeats itself. A class will just replace another class. And by the way, claiming to have Turkish ancestry (some extremely tenuous and others grossly made up) is currently a de rigueur affectation for many of the newly minted Egyptian wealthy class. Go figure. Having Turkish heritage was once viewed as being regressive, not authentic and even unpatriotic. I know that for a fact as well.

But back to the "disconnected"...which many of the privileged (some would describe them as spoiled) Egyptian youth are. Confused by a brainless embrace of a culture that is not theirs; an embrace made possible because their parents are the current moneyed elite and can buy into an ersatz Americanism; confused by their own dichotomy...seeing no conflict between binge drinking, heavy partying and then fasting Ramadan and claiming religiosity...but unable and unwilling to adopt American meritocratic values, its democratic values and work ethics.

Watch the multimedia piece...then shed a tear for the real people of Egypt who deserve infinitely better than the dismal life they're leading.

Books By Participants In TTP's Photo~Expeditions™

A few weeks ago, I wished here that more of the participants who join my photo~expeditions would, not only feature their work on their websites as most do already, but also publish their images in book form. It's not an easy task to prep and publish a book, but the eventual satisfaction is just sublime. I know first hand because I self-published Bali: Island of Odalan, and now I'm waiting for the sample proof of my second book Darshan (an announcement will be made shortly).

So I was very pleased to see 4 members of The Travel Photographer's Photo~Expeditions™ have already published their books (and with some, already their second or even third book).

1. Torie Olson joined my Theyyam of Malabar Photo`Expedition™ in 2009, and has just published the wonderful Life In Color (Photographs of Gujarat), a 117 page large hard cover landscape book.


2. Sandy Chandler joined a number of my photo trips; the latest being Bali: Island of Odalan Photo~Expedition™ this past July, and has just published Calling The Soul, an 80 page standard landscape book that promises to be a gem.


3. Charlotte Rush-Bailey joined my Tribes of Rajasthan & Gujarat Photo Expedition™ earlier this year, and quickly published her Kutch Classic, a 98 page large format hard cover landscape with her "specially brewed" photographs.


4) Susan Storm joined my Sikkim & Darjeeling Photo Expedition™ in 2003. A photographer and journalist for over 20 years, she worked for many of the top magazines in most continents. She published Colours In The Dust (On The Sari Trail), a 232 pages standard landscape book of her lovely images of India.


My congratulations to these photographers who took the initiative and featured their work in print form. I'm looking forward to hearing from other participants as to their book publishing efforts. C'mon, guys!

Thanksgiving Wishes


All the best from The Travel Photographer on this Thanksgiving Day!

There may not be a post tomorrow...I'll be flying back to New York, probably feeling very full.

Black Friday: Get My Book!!!


On this Black Friday, my new photo book Bali: Island of Gods is still available from Blurb.

You can choose between two main versions of the book (82 pages of black & white photographs): one is a large (13x11 inches) landscape hardcover version and the other is a standard (10x8 inches) landscape version.

More details are available on a page of my website Island of Gods. The link will also take you to my bookstore on Blurb, which has previews of the book.

Forget the long lines at the check-outs...just do it online. :o)

Kares Le Roy: Tibet & More


Here's the photographic work of Kares Le Roy, a French photographer and graphic designer. Unfortunately, his bio is very limited on his web site, but he traveled and photographed in Tibet, Nepal, India, Bali, Cuba, Cambodia and Morocco...returning with quite an inventory of photographs which he categorizes as Portraits, Life, Street and Landscape.

Apratim Saha: Varanasi

Apratim Saha is both a pharmaceutical executive and a photographer, whose work has been featured in the National Geographic and other publications. He's also a contributor to NationalGeographicStock.com

While I've liked Apratim's Varanasi gallery in which the above photograph of the sadhu is fetured, there's a photograph of a holy man, possibly after a dip in the Ganges, carefully arranging what can only be described as a comb-over. A priceless image of the temporal perhaps trumping the sacred. You'll find it in the Culture portfolio.

Michelle Frankfurter: Destino

Photo © Michelle Frankfurter- All Rights Reserved
Having read Cormac McCarthy’s, The Crossing, Michelle Frankfurter started to photograph along the US-Mexico border, and focuses her photo essay Destino featured on Burn magazine on undocumented Central American migrants who travel across Mexico in an attempt to reach the United States to work.

It's a sad tale that highlights not only the harsh risks inherent in such an endeavor, be it from criminal gangs, from corrupt police, from accidents to a myriad of other life-endangering events on the way.

A number of photographers attending the Mexico Foundry Photojournalism Workshop chose a similar subject for their documentary projects, and the area known as La Lecheria, where migrants seemed to converge to hitchhike north-bound trains, was a magnet for those photographers.

Michelle Frankfurter
is a documentary photographer who worked for three years as a staff photographer for daily newspapers: The Herald – Journal and Post Standard in Syracuse, New York. She spent three years living in Nicaragua where she worked as a stringer for the British news agency, Reuters and with the human rights organization Witness For Peace. In 1995, a long-term project on Haiti earned her two World Press Photo awards. She has worked for a number of editorial publications, including The Guardian of London, The Washington Post Magazine, Ms., Time, and Life Magazine.

Next Week on The Travel Photographer


For the week starting Monday November 21,  the following posts are in the pipeline:

1. The work of a part-time Indian photographer with multi galleries, including one on Varanasi.
2. A Vietnamese photographer's gallery of Vietnam's daily life. I didn't manage to post it last week as planned.
3. The work of a photojournalist on Pakistan's Swat Valley and the floods.
4. An interesting edgy documentary on illegal emigrants from Central America. A post I had planned for last week.
5. The work of a photographer with a ton of images of India, including one of the wrestlers of Benares.
6. Another photographer will be featured with a lot of images of Buddhism.

POV: Weeding The Subscribers: It's Time Again


It's the time of year when I have to start weeding (a more delicate term than 'purge') inactive subscribers from my newsletter mailing list. I have to do this about twice a year now.

Campaign Monitor tracks the number of newsletters opens for each subscriber, so it's easy to determine the rate of open of each. If that rate is less than a certain percentage, the subscriber is dumped. As I use a pay-as-you-go option to send out my newsletters, each subscriber costs me...and if there's no reasonable open activity during a 12 months period, then it's to the dumping grounds we go.

It's more efficient for all concerned, saves me money and un-clutters the disinterested subscribers' mailboxes. Last year, I weeded out about 300 subscribers. The total amount of weeded subscribers over the past 3 years is now about 900. Nothing to sneeze at!

Raphael Nguyen: Vietnam

Photo © Raphael Nguyen-All Rights Reserved

Photo © Raphael Nguyen-All Rights Reserved

Raphael Nguyen is a French-Vietnamese photographer, who moved to Vietnam in 1999. He lived Ho Chi Minh City, Hanoi, and finally in Hoi An in the very center of the country. He travels within the country, uses either film or digital cameras; Nikon FM2, Nikon F3 and Nikon D70, Canon EOS 5 D and Canon EOS 5 D Mark II.

I was drawn to his gallery of Daily Life in Vietnam with over 100 intensely saturated color photographs of various areas of Vietnam. These range from simple portraits, lifestyle shots, culinary images, environmental portraits etc. The ones I liked most and feature here are of Hoi An, and these two underscore Raphael's photographic style...which gives his images an overly golden saturated look.

Hoi An's old town was declared a World Heritage Site by UNESCO as a well-preserved example of a Southeast Asian trading port of the 15th to 19th centuries, with a unique building with local and foreign influences. I was in Hoi An for a couple of days while photographing for a NGO in 2003, and had little time to photograph for myself. I sense it's time to return and redress this shortcoming.

Win A Copy of "To Cambodia With Love"


I have a bunch of copies of To Cambodia With Love....the travel guidebook to Cambodia with some of my photographs. These will be given out as prizes to 5 readers of The Travel Photographer blog who correctly answer the three following questions.  The winners will be picked randomly out of a hat provided they have a US mailing address where the book can be sent to.

Here are the questions:

1) What's the capital of Cambodia? (correct spelling please!)

2) What's my favorite destination (ie. country) for my photo-expeditions?

3) Which is your favorite gallery (stills or multimedia) of my photographs?

So email me with the answers with your name (and it will be put in the hat...provided you have a U.S. mailing address).

Good luck!!! The cut off date for the giveaway is November 30 when I shall announce the 5 winners.

The Big Picture: National Geo Contest 2010

Photo © Ario Wibisono-All Rights Reserved
The Boston Globe's photo blog The Big Picture is showing off some of the submissions to The National Geographic annual  photo contest. The deadline for the submissions is November 30. The Big Picture editor chose 47 images from the three categories of People, Places and Nature.

No one asked me for my opinion, but I'll give it anyway. My favorite of those shown is the one of the two Indonesian boys playing with roosters in the village of Suradita, near Serpong in West Java. The photographer is Ario Wibisono who's based in Jakarta.

Ario's caption informs us that this was not a real cockfight. I'm confused by their dress as I took them to be Balinese children, but they're not...they're Javanese.

I also liked another one (#5) also by Ario Wibisono of the musician in Tenganan Village in Bali, playing the bamboo flute to a disabled child. I spent a couple of hours with this man during my Bali: Island of Odalan Photo~Expedition ™, photographing him playing his various instruments (including a sort of didgeridoo) and recording some of the pieces he played.

Olivier Laban-Mattei: Award Winner Paris Match

Photo © Olivier Laban-Mattei- All Rights Reserved
 Olivier Laban-Mattei was awarded the 2010 Grand Prix Paris Match for his recent coverage of Haiti. This prize was created in 1980 and all French professional photographers can compete. Every two years, the prize is decided by an international jury, with the winner receiving 8,000 euros.The prize recognizes photojournalists who cover current events.

Olivier Laban-Mattei is a photojournalist who worked with AFP for 10 years, and left it a few months ago to start a career as an independent photographer. For the past decade, Olivier criss-crossed the world reporting on the Iraq war, the Haitian earthquake or the Gaza Strip humanitarian disaster.

Olivier's Haiti gallery contains a number of graphic photographs that relay the horror of Haiti's earthquake. I have naturally not seen all of the coverage of the Haiti earthquake, but this is one of the most hard-hitting of those I did see.

Paul Kowlow: Japan (and Geishas)

Photo © Paul Kowalow-All Rights Reserved
Paul Kowalow's website on Zenfolio is sparse with his biographical details, but I thought I'd nevertheless feature his work of Japan here.

You'll see that his gallery of Japan has a large number of portraits of not only geishas but also of young women adopting the punk style of fashion, which I thought is a jarring stark contrast between these two cultures; the traditional and the modern. I wish the gallery was arranged in such a way that the portraits of geisha and punks would alternate. Most of these portraits appear to be candid shots, and the colors are just great.

Take a look at his other galleries as well. He's got some nice photographs of Venice.

My Book: Bali Island of Gods: Now Available


I'm excited to announce that my new photo book Bali: Island of Gods is now available from Blurb. There are two main versions of the book (82 pages of black & white photographs) on Blurb's bookstore. A large (13x11 inches) landscape hardcover version and a standard (10x8 inches) landscape version.

All the details are available on a page of my website Island of Gods. If you choose to buy, the links will take you to my bookstore on Blurb, which has previews of the book.

I know...the timing of the publication is great! Just in time for the holidays.

Dan Bannister: East Africa

Photo © Dan Bannister -All Rights Reserved
Dan Bannister is a commercial, industrial and editorial photographer based in Calgary, Canada, who having joined my recent Bhutan: Land of the Druk Yul Photo~Expedition™ last year, recently traveled to East Africa to further expand his inventory of travel imagery. His new gallery of East Africa includes a broad spectrum of lifestyle, travel and editorial images.

His travel and editorial images appeared in The New York Times, Lonely Planet, Rough Guides, and various in-flight magazines.

Dan also updated his website, and I encourage you to visit it as it now boasts large photographs and is truly magnificent.

On a personal level, I can say that Dan was one of the most enjoyable participants I've had the pleasure to travel with on my photo-expeditions.

Reuters: Best of the Year Photojournalism

Photo © Adrees Latif/Reuters

It seems that we're at the time of year when many of the news magazines, and large photo-blogs will soon be featuring their "best of the year" photographs. The first of the bunch is Reuters which is showcasing some 55 photographs.

Reuters photographers produce over half a million images every year. Some pictures define an event, others capture a moment revealing an aspect of the human condition. What's really neat this time is that each photographer describes the event which he/she photographed along with technical details.

My favorite photograph is the one above by Adrees Latif made during relief supplies being delivered to flooded villages in the Muzaffargarh district of Punjab in Pakistan. It's one of these photographs that tells is all...the struggle for survival, the physicality of despair...

By the way, Adrees tells us that the elderly man with a white scarf around his neck, managed to hang on to the hovering helicopter and was pulled to safety.

Eid El-Adha

Photo © Muhammed Muheisen/AP (courtesy Lens Blog New York Times)
Muslims around the world are celebrating the Eid El-Adha or  the"Festival of Sacrifice" in commemoration of the belief that Ibrahim (Abraham) was willing to sacrifice his son Ismail to God. Observant Muslims celebrate it by slaughtering animals to commemorate God's gift of a ram to substitute for Ibrahim's son, and distributing the meat amongst family, friends and the poor.

It's also an occasion for everyone (but mainly children) to wear newly-bought clothes in order to celebrate it in style.  Many young boys wear suits and ties, while young girls show off their fancy dresses as in the above photograph by Muhammed Muheisen of a couple of Yemeni girls dressed as angels, complete with pink diaphanous wings, in the back streets of Sanaa.